S.the summer of the soulOr when the revolution could not be televised) will report a three-day cumulative of $ 650K at 752 theaters in North America for an average per screen of $ 865, distributor Searchlight said of Ahmir “Questlove” Thompson’s paper on the 1969 Harlem Cultural Festival.
The film, with an A + CinemaScore, performed best in art houses and specialty theaters with high-performance locations, such as El Capitan in Hollywood, Landmark in West LA, Midtown in Atlanta, Ritz 5 in Philadelphia, Angelika in New York , Jacob Burns in Pleasantville NY, BAM Rose in Brooklyn, Tampa Theater, Sag Harbor Cinema, Hollywood Portland Or., Cinema 21 in Portland Or., Coolidge Corner in Boston, and both Nighthawk theaters in Brooklyn. Top Prime Locations: AMC Lincoln Square in New York, AMC Georgetown in DC, and Empire 25 in Manhattan.
Searchlight’s ‘Summer Of Soul’ Passes 700 Theaters As Arthouse Fare Battles Screens In A Wave Of Studio Releases – Specialized Preview
The distrib anticipates a drop in gross income today, 4th, but a rebound on Monday in what for many is the last day of a four-day vacation week. As my colleague Anthony D’Alessandro pointed out, the overall box office business will plummet today starting Saturday as many are finally enjoying the 4th of July that they didn’t have last year during the shutdown, and Monday will rebound from Sunday. .
The Sundance Grand Jury and Audience Award winner features never-before-seen concert performances from Stevie Wonder, Nina Simone, Sly & the Family Stone, Gladys Knight & the Pips, Mahalia Jackson, BB King, The 5th Dimension and more. It also premiered on Hulu.
Elsewhere, IFC Werewolves inside, in 209 theaters in its second week of release, grossed an estimated $ 115,250 in three days ($ 551 per theater average) and an estimated $ 136,750 over four days ($ 654 per theater average) with a cume of $ 494,567. (It also peaked at number one on the iTunes Independent, Horror, and Comedy Charts, and was in the top five in all categories.)
Spc I take you with me Also in its second weekend, it made $ 23,117 on 24 screens (up from four last week), an average per screen of $ 963 and a cume of $ 46,667. The drama stars Armando Espitia, Christian Vázquez, Michelle Rodríguez, Arcelia Ramirez, Ángeles Cruz, Raúl Briones, Michelle González and is directed by Heidi Ewing.
Ellen Burstyn-Rigid of Gravitas Ventures Queen bees crossed the $ 1.5M mark with $ 82,670K in three days and an estimated 1,000 shot in four days on 170 screens. That’s an average per screen of $ 486 and $ 588, respectively.
With just over 81% of North American theaters open, auteur films were competing for screens this weekend amid a trio of studio releases (F9, Boss Baby: Family Business other The Eternal Purge). In an upbeat tally for the overall box office, each of the top ten films for the first time since the pandemic was expected to cross the $ 10 million mark for the first time since the pandemic.
No. ten what A24’s Zola, which raised an estimated $ 1.23M for the 3-day weekend, and an estimate of $ 1,652M included Monday on 1,468 screens. Janicza Bravo’s hit tweet-based indie hit that premiered at Sundance last year earned $ 2,027,252 through Sunday and will earn $ 2,449,752 through Monday since its debut on Wednesday.
It will update the special figures as they appear.